PARIS TABLE DECORATIONS. CHRISTMAS THEME DECORATION
Paris Table Decorations
- (table decoration) Any of many diverse articles placed on a dining table principally as ornament though some may have a secondary function
- The capital of France, on the Seine River; pop. 2,175,000. Paris was held by the Romans, who called it Lutetia, and by the Franks, and was established as the capital in 987 under Hugh Capet. It was organized into three parts—the Ile de la Cite (an island in the Seine), the Right Bank, and the Left Bank—during the reign of Philippe-Auguste 1180–1223. The city's neoclassical architecture dates from the modernization of the Napoleonic era, which continued under Napoleon III, when the bridges and boulevards of the modern city were built
- (Greek mythology) the prince of Troy who abducted Helen from her husband Menelaus and provoked the Trojan War
- the capital and largest city of France; and international center of culture and commerce
- sometimes placed in subfamily Trilliaceae
- A commercial city in northeastern Texas; pop. 24,699
Bringing Paris Home
Bringing Paris Home invites the reader to re-create the panache of French interior
style in an American setting. Author Penny Drue Baird shares her love and knowledge of French history and decorative arts and describes the design
elements essential to an elegant French interior
—architectural details, furniture, paint and wall covering, fireplaces, lighting, and table
top settings. A special chapter on shopping offers tips on finding treasures in the famed Marche aux Puces in Paris. Penny Drue Baird's highly engaging text, filled with reminiscences and anecdotes, brings the charm and pleasure of Paris to life. Lavishly illustrated with Parisian scenes and completed interior
s by Baird, Bringing Paris Home is an essential resource for capturing the atmosphere of Paris.
Le Grand Palais, Paris
The Grand Palais des Champs-Elysees, commonly known as the Grand Palais (English: Great Palace), is a large historic site, exhibition hall and museum complex located at the Champs-Elysees in the 8th arrondissement of Paris, France. Construction of the Grand Palais began in 1897 following the demolition of the Palais de l’Industrie (Palace of the Industry) as part of the preparation works for the Universal Exposition of 1900, which also included the creation of the adjacent Petit Palais and Pont Alexandre III.
The structure was built in the style of Beaux-Arts architecture as taught by the Ecole des Beaux-Arts of Paris. The building reflects the movement's taste for ornate decoration through its stone facades, the formality of its floor planning and the use of techniques that were innovative at the time, such as its glass vault, its structure made of iron and light steel framing, and its use of reinforced concrete.
One of its pediments calls it a “monument dedicated by the Republic to the glory of French art”, reflecting its original purpose, that of housing the great artistic events of the city of Paris. The competition to choose the architect was fierce and controversial, and ultimately resulted in the contract being awarded to a group of four architects, Henri Deglane, Albert Louvet, Albert Thomas and Charles Girault, each with a separate area of responsibility.
The main space, almost 240 metres long, was constructed with an iron, steel and glass barrel-vaulted roof, making it the last of the large transparent structures inspired by London’s Crystal Palace that were necessary for large gatherings of people before the age of electricity. The main space was originally connected to the other parts of the palace along an east-west axis by a grand staircase in a style combining Classical and Art Nouveau, but the interior
layout has since been somewhat
The exterior of this massive palace combines an imposing Classical stone facade with a riot of Art Nouveau ironwork, and a number of allegorical statue groups including work by sculptors Paul Gasq and Alfred Boucher. A monumental bronze quadriga by Georges Recipon tops each wing of the main facade. The one on the Champs-Elysees side depicts Immortality prevailing over Time, the one on the Seine side Harmony triumphing over Discord. The grand inauguration took place May 1, 1900, and from the very beginning the palace was the site of different kinds of shows in addition to the intended art exhibitions. These included a riding competition that took place annually from 1901 to 1957, but were mainly dedicated to innovation and modernity: the automobile, aviation, household appliances, and so on. The golden age of the art exhibitions as such lasted for some thirty years, while the last took place in 1947. The first major Matisse retrospective after his death was held at the Grand Palais from April 22, 1970 to September 21, 1970 and was an incredible success.
The structure itself, however, had problems that started even before it was completed, mainly as a result of subsidence caused by a drop in the water table. The builders attempted to compensate for this subsidence, and for a tendency of the ground to shift, by sinking supporting posts down to firmer soil, since construction could not be delayed. These measures were, however, only partially successful.
Further damage occurred once the building was in use. Excessive force applied to structural members during the installation of certain exhibitions such as the Exposition Internationale de la Locomotion Aerienne caused damage, as did acid runoff from the horse shows.
Additional problems due to the construction of the building itself revealed themselves over the course of time. Differential rates of expansion and contraction between
cast iron and steel members, for example, allowed for water to enter, leading to corrosion and further weakening. When finally one of the glass ceiling panels fell in 1993, the main space had to be closed for restoration work, and was not fully reopened to the public until 2007.
Versailles Tea Table
Having finally staggered through as much as I could see, and even the gift shop, I treated myself to tea in the ultramodern salon de the. This was the table decoration.
Private Paris homes only open their doors to the few. This book shows us around 50 imaginatively conceived apartments and houses, the homes of prominent people such as Isabella Adjani, Helena Christensen and Christian and Francoise Lacroix. How we live is who we are. These interior
s are "mirrors of the soul," showing the true personalities of those who live in them. From baroque opulence to cool understatement to colourful exoticism, their style is unforced - these are homes that people live in, not museum pieces. They also document Parisian vogues - for the Frech Thirties and Forties, for the furniture of Jean-Michel Frank and Jean Royere, for Diego Giacometti's stucco work, or the design
features of the Vienna Secession. This book documents a particularly energetic and fertile moment in one of the world's most beautiful cities. Paris Interiors brings together a selection of extraordinary apartments in the French capital, chosen purely for their individuality. From wicked fun to timeless classicism, everything in this unique book will be an inspiration.
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